TOP FIVE WEDNESDAY
I recently stumbled on this GoodReads group that proposes a weekly meme whose aim is to give a list of Top Five… anything, as long as they are book related. It sounds fun, and something I can manage even with my too-often-limited time.
This week’s subject is: Books with “hard” topics
When I discuss my reading preferences with people who don’t enjoy speculative fiction, they often complain that the genre does not deal with “real” issues and they could not be more wrong, as testified by these few examples:
In this dystopian future, society relegates unwanted citizens on an island that is also a huge garbage dump. Among these rejects the most unwanted of all are the old: left there to die of deprivation, of the pollutants brewing among the garbage piles, and of neglect. But what’s worse is that the youngsters who have been marooned to the island with them are taught that their plight is the old people’s fault, so bands of angry teenagers hunt the old and defenseless as a bloody sport. Science fiction? Not really: merely the extrapolation of the many small incidents we can observe in our everyday life…
In this novel, the author postulates that a vicious form of flu has left many of the victims prisoners of their own bodies: their minds are fully functional, but the bodies don’t respond to the brain impulses any more. After a while the affected people are able to interact with society once more by connecting to a sort of android bodies called “threeps” and have a semblance of normal life but after the initial wave of social awareness, the general public starts to turn against the threeps, the most vocal maintaining that too many resources are being employed for the locked in, resources that could be better spent elsewhere. It does sound frighteningly familiar, indeed.
When eight-year old Jos’ ship is attacked by pirates who kill the adults and take the children prisoners to turn them into slaves, the young protagonist starts a nightmarish descent into Hell, one made of fear, terror and abuse that will forever scar him, even when he will find the strength to escape from his tormentors. I usually avoid stories that contain this kind of theme because I believe that there is nothing more terrible than stealing a child’s innocence, robbing them of what should be the most carefree years in a person’s life, but in this case the author described young Jos’ journey with such a light hand, through suggestion more than outright detail, that I had to stay until the very end. This is a book that will leave its mark on you, but it will be worth the pain.
No need to describe this story, the one that opened the road to so much YA dystopian narrative – both for the good and for the bad. What I found truly horrifying in the whole scenario was not only the cruelty of pitting young people against each other in a ruthless battle that would see only one survivor, but the fact that the whole scenario was used as both a bloody spectator sport and as admonition against rebellion. I remember thinking, as I read through the book, that we are not so far from the Capitol citizen watching teenagers die horribly: after all there seems to be a huge audience for those so-called reality shows where people face dangerous or harrowing situations. What it says about us, as human beings, is something I prefer not to dwell upon too much.
In a post-apocalyptic landscape a man and his son travel over a wasted land, where the few survivors are more beasts than men, toward the coast and the sea in the hope of finding something better – or maybe just to give themselves a reason to go on. It’s a hard, harsh story that at the same time lights the darkness with the love binding the two of them: it’s an understated kind of love, but it shines through and makes the nightmarish scenes almost bearable. Almost.