I received the e-ARC of this book from the author, in exchange for an honest review.
This epic fantasy trilogy reached its conclusion with the final book, one that nonetheless leaves the door open for a possible sequel: should that not be the author’s intent, the sense of “unfinished business” from the last chapter still is a welcome change from a more conventional ending, one where all the narrative threads are nicely tied up.
At the end of book 2, the main characters were all scattered to the four winds, contact between them lost and each one forced to deal with their problems, some of which were of a quite deadly nature: Notch and Sofia managed to escape from the Sap Born, but were separated in the forest, he fighting for his and Nia’s life and she running away with her father and the Sap Born’s freed prisoners. Ain was traveling back to his people, together with his companion and King Oseto’s peace envoy, only to meet with a deadly, formless foe. And King Oseto himself faced the threat of a Renovar invasion, only to discover that a new, unknown force was at his doorstep: the Ecsoli, the ancient people from whom the Anaskari originated, arriving from the sea to conquer the city, and steal its precious bones.
Now, as the third book starts, we follow each individual group as they struggle to overcome the mounting difficulties: at the beginning this fracturing of narrative threads makes for an apparently disjointed storytelling, but little by little the pieces start to come together to build the main tapestry, non unlike smaller streams that flow into a wider river, and we understand that each single incident is part of an overall – and ominous – picture. And once our “heroes” manage to regroup, the story takes on speed, driving toward a breathless fight for survival.
What becomes clear is that ancient bones are indeed the key to this world’s magic, and that there is an untapped well of power in them: this must be the main reason the Ecsoli are collecting them with a ruthlessness that seems born of desperation – or great need. One of the most gripping parts of the story comes indeed from the description of occupied Anaskar, of the profoundly changed life in the beleaguered city, where people are trying to survive in the streets filled by the rubble from the attack, or patrolled by the Ecsoli who seem quite keen in enjoying bloody sport.
More intriguingly, the bone masks themselves transition from mere tools to characters, showing what kind of unimaginable powers can be drawn from them – and what kind of price they exact from their wearers: I was fascinated by the hints of personality that were shown this way, and by the almost neutral nature (for want of a better word) they display, neither good nor bad, but still frightening in its uniqueness.
We learn more from the characters as well, a few hints from their past and – more important – the changes wrought by the dire situation on their personalities: King Oseto, and the shocking bargain he seals with the ancient mask Chelona is the most relevant example of this, as is Sofia’s continuing journey toward maturity and the ability to make harder and harder decisions, showing a strength of spirit that had only been hinted at up to this point.
There is a huge change in tone toward the end and the final showdown: the author’s usual discursive style transforms here into pure narration, describing the story’s climatic events in a breath-taking scene that would make wonderful cinematic material, and whose conclusion was surprising for the bold – if sad – choice he made there. I must admit I was taken unaware by the turn of events, but once the consternation wore off I understood that this bittersweet conclusion was much more satisfying than a more conventional one where everyone marched to the proverbial happy end.
Not all questions are answered at the end of Greatmask, and that’s the main reason that made me mention “unfinished business”, but I like to have some unsolved mysteries, to know that not everything has been explained: making one’s own assumptions is part of the fun after all…
All in all, a very satisfying conclusion to an intriguing story.
I would like to take a little time here to talk about the cover: what I used at the top of the review is going to be the one for the published book, but as I was waiting for the “go ahead” from the author for the posting of my review, I was made aware of some problems with the cover itself, that might not have been ready for the publication date. Mr. Capes kindly sent me the alternate cover, that I’m sharing here just as a matter of curiosity and because I loved the colors and the sense of impending doom that comes from it. What do you think? Which one is your favorite?