My search for interesting short stories (and a quick sample of authors who are new to me) continues… I have recently discovered the dedicated section over at Tor com, and found many interesting offerings. This week’s choice is for:
The vampire myth has been explored in all its forms and variations, so one might think there is no room for a new angle or a different perspective, yet at times you can find authors able to put a different spin on the trope. This is the case of Meat+Drink, indeed, a story told from the perspective of vampires who have none of the glamour, attraction or sophistication that’s usually associated with the most classical point of view of the genre.
The narrator here used to be a 17-year old girl but is now meat, as opposed to flesh – dead as opposed to living. She shares a hiding space with four other undead, one of them a child, spending their days in a basement, away from the sun, and their nights either scavenging in search of money or valuable objects, or hunting for prey – for drink.
This former girl’s voice is quite peculiar, more like a stream-of-consciousness report than a organic tale, grammar and punctuation as decayed and still decaying as the walking meat these vampires have become once they lost the vitality of flesh. As the unnamed narrator says: “flesh is ever-changing, flesh is self-aware. meat is insentient, meat is stagnant”. The horror in this story does not come so much from seeing these vampires prey on the living, but from the feeling of hopelessness and despair of such a condition, so much stronger and poignant because they remain unexpressed and probably unfelt.
And yet something of the former personality must remain after the transformation, as the events show when the little “family” undergoes an upheaval that changes the internal dynamics. It might be wrong to use the world “hope” in such circumstances, but the end is a little less bleak than the rest of the story. And that’s enough.