Review: THE VALIANT, by Lesley Livingston

Since my first brush with historical fantasy I’ve discovered a genre quite suited to my tastes, not only for the kind of stories it can offer, but also because it leads me to explore in more depth any given historical period in which the novel is set.  So it was a given that I would read this one, as soon as I saw the first reviews popping up on fellow bloggers’ sites.

Fallon, the main character, is the daughter of the king of the Cantii, a fierce Celtic tribe: in a culture where women fight alongside their men, she’s training to be a warrior in her father’s army (such as it is) and to follow in the footsteps of her older sister Sorcha, who died in the battle that freed their father from his Roman captors.  On the eve of her acceptance in the king’s war band, she discovers to her dismay that her father has promised her to the leader of a neighboring tribe, the brother of the young man she just discovered herself in love with. A series of circumstances brings Fallon to be captured by slavers, brought to Rome and be sold to a female gladiators’ school, where she will be trained to fight in the arena for the delight of the crowds.

There was a lot in favor of this story, starting with the premise of female gladiators, whose existence is a relatively new discovery by the archeological community, and with the possibility of exploration of two cultures – the Celtic tribes in northern Europe and the conquest-prone Roman empire – pitted against each other.  Moreover, the book promised a fearless heroine bent on regaining her freedom, even if that meant risking life and limb in the bloody sport of a gladiatorial arena.  Sadly, it fell short on every count, at least from my point of view.

The cultural and historical background is barely sketched, and if on one hand I might understand the need to focus on plot developments, they might have worked just as well in any imagined fantasy culture as the ones we meet daily: fantasy readers don’t need a tie to any given existing culture to accept a plot such as this (a female warrior fighting for her freedom), so the scant details inserted for both civilizations seem to be there as mere lip service to the chosen background, rather than a desire to give a concrete feeling for it.  Celtic culture was more than beer-laden feasts and blue tattoos, and Roman culture was more than gladiators, purple-striped togas and political intrigue.

Along similar lines, the circumstances leading to Fallon’s capture sound rushed and contrived, less an organic chain of events and more like plot devices needed to bring her where the author wanted her – in Rome as a slave gladiator (even though there is precious little time devoted to the details of training and actual combat) – and the speed at which everything happens kept me somewhat removed from the overall story, and I never felt any real sense of danger or any sense of reality whatsoever.

My greatest contention, however, is with Fallon herself: throughout the novel she failed to make a connection as a character, as a person, and the almost childish impetus she employs to move through her life seemed to point at a fatal shallowness and a lack of maturity, something I would never have expected in someone with her background and experiences.  Fallon’s greatest failing as a character, in my opinion, is the huge dichotomy between her statements about being a trained warrior and the constant need to be saved from unpleasant situations.

A few examples? Back in her house, after she’s been informed she will be married off to her love interest’s brother, she peevishly throws all adornments into a brazier, including her knife, so when her prospective husband comes in, somewhat drunk and with amorous intentions, she is powerless to defend herself and the impasse is solved by the lucky arrival of her almost-boyfriend.  On the slaver ship headed toward Rome, Fallon becomes the object of unwanted attentions from a crewman, and of course she’s saved, once more, by slave master Charon. And again, once in Rome and on her way to become a gladiatrix, she sneaks to a party in a patrician villa (an event that shouted “danger!” to the high heavens to everyone but her…) and finds herself in such a situation that requires her rescue by the handsome Roman decurion that has become her new love interest. If these are the marks of a fierce warrior fighting for her freedom… well, something is sorely missing.

As if that were not enough (and I will mercifully spend no words on the insta-love issues that seem a mandatory requirement in this kind of story), Fallon appears quite childish in her reactions, especially concerning a particular discovery I can’t describe (spoiler!) that should have made her ecstatic with joy and instead plunges her into new depths of petulance, that to me appeared quite uncalled for, given both past and present circumstances. In a possible attempt at balancing out this querulousness, we are told about her surges of sisterhood feelings for her fellow gladiatrices, for example, sentiments that seem to come out of nowhere since the only true friend Fallon makes along the way is fellow captive Elka, while in several cases she seems to ignore even the names of some of the other girls in the training school, identifying them with the animals depicted on their shields rather that with their names.  A main character should be someone we root for, someone we establish a connection with, but sadly Fallon did not come even near that goal for me.

Even though I’m honest enough to understand that most of my objections stem from the fact I’m a crusty old curmudgeon  🙂 there is the fact of the huge divide between the premise of this story and the actual delivery of it, between the promise of a certain kind of character and the disappointment about what I encountered.  The Valiant is not a bad book, not at all, but even as “popcorn entertainment” it fails to meet some of the criteria I look for in a story I want to care for, and I can sum it up as a missed opportunity.


My Rating: 

14 thoughts on “Review: THE VALIANT, by Lesley Livingston

  1. Oh no – I confess I fell in love with this. It just completely won me over and I feel sad it didn’t work for you too – and you’re not grumpy or curmudgeonly – although when I don’t enjoy a book those are exactly the feelings that I experience too.
    Lynn 😀

    Liked by 1 person

    1. I’m aware that I tend to be a nitpicker at times, and that when a book doesn’t meet my expectations this habit get the best of me, but the reviews I read before picking up the book had led me to believe I would find something different… Well, you win some, you lose some 🙂


        1. LOL! No need to feel guilty! It just didn’t work out….
          And that’s one of the things I love about sharing book reviews: there are always surprises around the corner. Some might not be what we expected but… well, after all it’s the journey that matters 😉


  2. I too have been enjoying quite a bit of historical novels recently and it’s a nice change, it’s good to “spice up” our reading! 🙂
    Too bad this didn’t work for you, I wasn’t interested in this book because I feared it would be as you described, I’ve become more and more skeptic toward YA, I’m sure they are good YA books but I almost never manage to find them so it’s a bit frustrating (An Accident of Stars by Foz Meadows being a rare exceptions!).

    Liked by 1 person

    1. Every time I approach a YA-oriented novel I hope I will not find the usual tropes that seem to infest the genre, and when they are absent – or kept well under control – I can enjoy the story. Here, unfortunately, I had no such luck… (((SIGH)))

      Liked by 1 person

  3. Sorry to hear this one fell flat for you! I enjoyed this one, but had to really put myself into the “I’m reading a YA novel” frame of mind. I also had to laugh at some of the points you brought up about Fallon though, she was kind of a dimwit when it comes to making terrible, stupid decisions, wasn’t she? LOL! XD

    Liked by 1 person

    1. Indeed, for a “fearless heroine” she tends to be quite feather-brained!
      And it’s a pity, because there was so much *potential* there, and to see it so wasted was the reason I was so bitterly disappointed…


  4. I’ve read such a wide variety of opinions about this book! I’m still very curious, although I have to say one of my least favorite tropes is the damsel in distress. Some day maybe! Thanks for such a thorough review!

    Liked by 1 person

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