After encountering several favorable mentions about this Urban Fantasy series, I finally decided to see for myself what it was like, though not without a small measure of… trepidation, for want of a better word: my favorite series in this genre is Seanan McGuire’s October Daye, and that’s what sets the standards for me – a main character who’s strong but not superhuman, whose flaws don’t include reckless stupidity, and a story that gains new facets from book to book. Just to name the most important ones…
Well, Mercy Thompson promises to move along these lines, and even if this first volume was not a game changing experience, it piqued my interest enough that I’m willing to follow the protagonist’s journey: with a good number of books to look forward to, there is certainly room for all the improvements I can wish for.
Mercedes “Mercy” Thompson is a car mechanic and a very independent woman, but she’s also something else: a shapeshifter who can take the form of a coyote. In Patricia Briggs’ version of the world, supernatural creatures have always existed side by side with baseline humans and only in recent times some of them have come out of hiding, albeit with mixed results: once the dust settled, and the wonder wore off, humans resorted to their usual way of dealing with the diverse – they gave free rein to fear, ignorance and bigotry.
It was all right for a fae to be an entertainer or a tourist attraction, but […] no one wanted a fae for a teacher, a mechanic, or a neighbor.
Those unfortunate enough to have come out in the open had to make themselves scarce, or go live in reservations – out of sight, out of mind. Business as usual on planet Earth…
Among those who did not expose themselves, besides the highest fae, are werewolves and shapeshifters like Mercy, although she’s a pretty rare specimen. Raised by an adoptive family of werewolves, Mercy knows a great deal about their social structures and behavioral patterns, so that she’s in the best position to offer aid to young Mac, a newly-minted teenage werewolf still dealing with his change and with other more pressing problems.
Asking her neighbor Adam, the Alpha wolf of the local pack, to help Mac, brings about a series of events that will put Mercy’s policy of “live and let live” to a serious test: an attack on Adam’s compound and the kidnapping of his teenage daughter Jesse will draw Mercy into a complex situation that will force her to re-evaluate her position and to face some unresolved issues from her past, while she tries to uncover what looks like a dangerous conspiracy.
The world-building in Moon Called is a fascinating one: the nature and pack mentality of the werewolves are explored at length as various characters come into play, and it all flows quite naturally alongside the story without interference from lengthy info-dumps or any slowing of the pace. These creatures are not the mindless beasts we might have expected because they don’t lose control at each full moon (or at least they don’t once they have grown comfortable into their own… well, skin) but rather draw strength from it – in both human and wolf shape – and always fight to keep a balance between the two sides of their nature. That fight has given birth to a set of rules that are ruthlessly implemented, because control has become the key to the survival of the species and to insure that their existence remains a secret.
This strict adherence to the rules has unfortunately fostered something of a backward mentality in the werewolves, the kind of mindset that can still be observed in some strata of the human population – through Mercy, the author does enjoy poking some fun at it, even though the smile is somewhat bitter:
Women’s liberation hadn’t made much headway in the world of werewolves. A mated female took her pack position from her mate, but unmated females were always lower than males …
A lone wolf is a male who either declines to join a pack or cannot find a pack who will take him in. The females, I might add, are not allowed that option.
In this world, Mercy is something of a free agent: not only because of her nature, but mostly because she values her independence, the need to make her own choices. I often wondered if early exposure to the life of a werewolf pack was responsible for this, since she refuses to be cast into any mold, to follow a set of rules that is not her own. This attitude also colors her sentimental life, which I found quite refreshing: the presence of two attractive, powerful males who are interested in her does not lead – at least in this first novel – to any romantic triangle, and Mercy’s response to the two men’s possessive overtures, no matter how restrained they are, is to re-affirm her self-reliance and self-determination. My hope is that, should a romantic thread develop in the future, this mindset will remain unchanged.
In short, I did enjoy Moon Called quite a bit: it was a quick, fun read and it managed to engage me even though I realize it was only laying the foundations for a more complex story, one that I expect will expand on the many seeds planted here, from the higher fae (or Gray Lords) urging the lesser ones to come clean while they stayed safely in hiding, to the vampires and their shady goals to werewolves’ politics and power plays.
There are really few criticisms I feel like expressing, namely the overly complex motivations at the roots of the mystery to be solved, which required some lengthy exposition I found slightly tiresome, and the cover art, that in my opinion did not catch at all Mercy’s character, her essence or the nature of the story itself – a look at the covers for the following novels shows that this is a recurring theme, one that seems to draw the attention away from the inner strengths of the character and instead focus it on the… outward ones.
I realize that it’s a matter of market dynamics, but still I can’t avoid thinking that it’s something of a misdirection, and that though it’s not an end-of-the-world issue, it should be addressed now and then. Ok, getting off the soapbox now… 🙂