Book after book this series is taking shape and substance and this installment went a long way toward helping me forget the slight disappointment of volume 2, that I’m now regarding more as a case of “growing pains” than anything else. Despite a few residual niggles, truly too small to spoil my enjoyment of the story, Command Decision turned out to be a solid, entertaining read.
In previous books, Kylara Vatta, whose family made a fortune with their interstellar transport business, was expelled from the SpaceForce Academy in the aftermath of an unfortunate mishap and went back into the family’s fold trying to re-invent herself as a merchant captain. An unprecedented attack on her home world resulted in the death of a huge portion of Ky’s family so she resorted to try and resurrect the family business while fighting the encroaching expansion of a pirate consortium. In Command Decision, we saw Ky working to consolidate her small but growing coalition of merchant captains who choose to stand up to the pirates, but we are also afforded a wider view of the overall situation, discovering alongside the characters that the pirates are only a part of the problem, one that involves hostile corporate takeovers, political maneuvers and a generalized regression in the galaxy’s civilized dealings.
The shifting focus between the various situations keeps the pace lively and the story interesting, and in some cases it changed my opinion of previously encountered characters: a case in point is represented by Rafe, whose earlier appearance seemed to point toward a Gary Stu kind of figure, while here he takes on some much-needed depth and morphs into a very intriguing person. It’s through Rafe’s segment of the story that we start perceiving the scope of what looks like a huge conspiracy to change the political and economical face of the galaxy: having lost contact with his family, he travels in incognito to his homeworld only to discover that his parents and siblings have disappeared and any inquiry on their whereabouts raises the interest of some unsavory characters. There is a subtle irony in the fact that Rafe was sent away from home because of a dramatic incident that changed him profoundly, and now he’s his family’s only hope for freedom and safety: as I saw him struggle to resolve the situation without endangering their chances for survival, and while I learned what it meant to him to be perceived as a monster, I slowly warmed up to him and started to see the real person under the rakish façade, someone who can forget any bitterness at the unfair treatment received and risk everything for those he holds dear. In a way, I believe that Rafe’s back story runs on a similar course to Kylara, since both of them needed to re-invent themselves after a traumatic experience, and that this element, rather than any form of mutual attraction, could be the basis for the future relationship that is at times hinted at as a possibility in the course of the story.
Stella, Ky’s cousin, is also slowly emerging from a trauma of her own, one that disrupted her sense of identity and belonging to the Vatta clan: while some residue from that shock might understandably linger, in this book Stella goes back to her earlier appearance, that of a well-grounded, no-nonsense person with a good head for business and the courage to try untraveled roads. Having been invested with the position of CEO for Vatta Enterprises, she throws herself into the work leaving little or no space for doubts and self-recriminations, and the need to care for the underage Toby – another survivor of the merciless attacks on the family – seems to be what she needs for her newfound balance. The most interesting comment on Stella’s transformation comes from Aunt Grace, the clan’s matriarch and a character I never see enough of, when she considers how those changes went even beyond Grace’s expectations, or anyone else’s for that matter.
But of course the main focus remains on Ky, even though she equally shares it with the others here, offsetting any danger of looking like the cliché do-it-all-by-herself heroine: she is still on a learning curve, but she’s gaining in assuredness with every challenge faced and overcome, and she’s also acquiring some of the toughness that’s required by her position, as demonstrated by the swift, uncompromising way in which she deals with the situation at Gretna station, whose inhabitants – already infamous for their racist viewpoints – have turned to fraud and slavery to increment their resources; or when she accepts Captain Ransome’s ships as part of the convoy, knowing that their inexperienced enthusiasm might prove fatal, but accepting the necessity of some “cannon fodder” on the front lines. More importantly, Ky’s storyline serves to showcase the foolishness of corporate mentality and the blindness that can impair the smooth workings of a galaxy-wide service (like ISC, the owners of the communication network), making it the far-too-easy target of anyone armed with the will to take advantage of it: this is what makes this series different from other space opera settings, the mixing of the required adventure with some economic considerations and a few social commentaries that spice up the narrative and at the same time set it firmly into a very believable background.
Command Decision does still suffer from some slight problems, like a few repetitions of known facts and the tendency to slide into undue exposition; or again the instances (thankfully less marked here) in which Ky is accused – because of her youth and perceived inexperience – of being susceptible to girlish infatuations: the latter is what makes me grind my teeth in frustration every time I encounter it, making me wonder why the author keeps undermining her character this way. That said, Vatta’s War is still shaping up nicely for what I hope will be a satisfactory ending, and a good introduction to the next series, whose first book I sampled before retracing my steps to the beginning.