Alastair Reynold’s Revelation Space trilogy is one of the most intriguing (and challenging!) reads I ever encountered, but it happened several years ago so that time has blurred my memory of it considerably, and the complexity of the narrative context in which this space opera series is set made it difficult for me to retain more than a few of the myriad details of that multifaceted tapestry. A re-read is something I might enjoy one of these days, and I think this collection of longer stories from that same universe might be the best way to re-introduce myself with the characters and the wide, sweeping background they are moving in.
Weather is a novella-sized tale exploring in more depth the hostility between the Conjoiners and the rest of humanity, even that part of humanity that has chosen to meld flesh and machine: the Ultras, another of the factions in which the human race has fractured itself, combine mechanical and organic parts, either to augment some capabilities or to replace lost limbs, but they leave the mind well alone, finding the Conjoiner way of life beyond repulsive.
This story takes place aboard the Petronel, a cargo ship being chased by pirates: after a long, nerve-wracking pursuit, the Petronel’s crew chooses to stand and fight and, quite surprisingly, they get the best of their hunters, who have run afoul of some wandering space debris. As they board the pirate ship to salvage equipment for repairs, the crewmen find a Conjoiner girl who had clearly been a prisoner and, not without some difficulty, take her aboard the cargo at the insistence of Inigo, the shipmaster, and against the objections of Captain Van Ness, who is highly distrustful of Conjoiners.
The two men have enjoyed, up until now, a close relationship borne of trust and mutual respect, but Inigo’s insistence in trying to deal with the girl – named Weather as a way to simplify her complicated designation – as a human being instead of a dangerous monster, drives a wedge between shipmaster and captain, to the point that the fracture seems impossible to reconcile. Only the danger presented by the failing drive – a Conjoiner model – will convince the captain to trust Weather, up to a point, and let her try to repair it so that the Petronel can reach its destination in time.
The rift between Conjoiners and the rest of humanity is represented here in all its bitterness, the past misunderstandings and troubles so deeply rooted that even the passing of time seems unable to lessen them, and Inigo finds himself trying to walk the fine line between two opposing feelings, while the story reaches its inevitable, bittersweet conclusion.