I received this novel from Tor Books through NetGalley, in exchange for an honest review: my thanks to both of them for this opportunity.
I was very curious to sample Christopher Paolini’s writing: although aware of his Inheritance fantasy cycle, I never read it, and the brief excerpt for To Sleep in a Sea of Stars that I found online, once the campaign for this book was launched, sounded very intriguing, sporting many of the elements I enjoy in Science Fiction. Unfortunately, after a promising and intriguing beginning, I felt myself progressively losing interest in the story and I had to abandon it at the 32% mark – namely at page 262 of its quite considerable 800+ pages run.
In short, the novel focuses on Kira Navarez, an exobiologist attached to a corporation conducting feasibility studies on planets marked for possible colonization. At the beginning of the story Kira and the rest of the team are preparing to leave their latest assignment when in the course of a last-minute survey Kira stumbles on an alien artifact: this encounter leaves her profoundly – even dangerously – changed and launches a series of events culminating in an alien invasion and a devastating intergalactic war.
Where the premise sounds intriguing – and there is no doubt that the inciting incident back at the base has a delightfully creepy Alien vibe – the execution did not meet my (admittedly fastidious) tastes. The novel leans heavily toward plot rather than characterization, and this for me is certainly a problem because I need to connect with characters to enjoy a story; moreover, what characterization there was – either concerning Kira or the secondary figures – felt flat and at times more in service of the plot than of the characters themselves.
Kira’s personality is very contradictory: she is presented as an exobiologist driven by the need to explore new worlds, to apply her knowledge to the expansion of humanity, and yet once she falls in love with one of her co-workers and he proposes marriage she’s ready to throw it all to the four winds in exchange for marital bliss, children and the dream of a white-fenced house. Then she is subjected to a very traumatic loss and even more traumatic experiences of torture and experimentation, and yet none of this seems to leave her with any permanent scars, or the remotest hint of PTSD. To top it all off, she evolves in a very, very short period of time from a mousy, lab-bound scientists into this super-hero, ass-kicking warrior without any perceivable hint of how the transformation took place.
Secondary characters fare little better, since they looked to me more formulaic than gifted with distinctive personalities, and so we have, for example, a lovably roguish ship captain; a stern, uncompromising XO; a kindly doctor; and the required gangly and goofy teenager. All of the above provided sometimes wooden, sometimes embarrassing dialogues that although set into a highly energetic but somewhat confused story made my progress through the novel an arduous slog, compounded by what looked like excessive wordiness. Still, I tried to soldier on because the angle of the alien invasion, with its hordes of weird, scary creatures, is certainly intriguing, but I was also puzzled by the overall tone which at times seemed to veer toward YA standards, although the novel is labeled as adult fiction – a prime example being the description of shipboard pets which include a cat and a pig (yes, a pig, I kid you not), both of them provided with velcro-like adhesive pads so they could move in free fall….
While I can see the potential for this story, I have to acknowledge my disappointment in the way it is delivered: it is certainly a classic case of “it’s not you, it’s me” and I’m looking forward to learning what other fellow bloggers will think of this novel, particularly when I’m aware of the finicky personal tastes I quoted above.