THE LAST COYOTE (Harry Bosch #4), by Michael Connelly

In my exploration of this crime/thriller series I have arrived at an important marker for the definition of Harry Bosch’s character, one where his past is explored in depth opening a window on how that past shaped his personality.

As The Last Coyote opens, Bosch is home on involuntary leave after he threw his superior officer through a glass wall: while his situation is being examined, he’s been remanded to a series of counseling sessions with the department’s psychiatrist, Dr. Hinojos, where he keeps resisting the doctor’s attempts at understanding what makes him tick. Feeling increasingly restless, despite being busy with trying to fix his house after a damaging earthquake, he decides to tackle a cold case that is very close and personal – his mother’s murder, which happened when he was a young boy, and is still unsolved. 

The investigation will not only compel Bosch to revisit the past with all its hurts, but most importantly will force him to face himself and understand why he is the person he is now – not to mention that, story-wise, this is a journey that provides many surprises for the reader as well: since I met this character through the TV version first, I thought I knew how events would move forward, but I was delighted to discover that, despite the similarities, there are many narrative threads that are completely different, so I’m certain that future books will offer as many unforeseen developments as this one did.

There is an interesting parallel here between Bosch’s house – marked for demolition since the earthquake undermined its foundations – and his present life: in previous books we saw him always pushing the boundaries and going out of his way to thumb his nose at people in authority, but now he has indeed crossed a dangerous line, and it hardly matters that his commanding officer is an inept bureaucrat with a penchant for stupid taunts, the fight that ended with the lieutenant flying through a glass wall might very well be the last straw in a long series of insubordinate stunts.  So, just as the house is condemned – no matter how much work Bosch puts into it – his whole career is in a precarious situation, and the decision of pursuing the investigation in his mother’s murder seems like the only element in his life he can control: until now we saw Bosch relentlessly seeking the truth for the victims of his cases, in this instance he does the same for himself and his mother.

The reason his mother’s murder is still a cold case some 35 years after the fact is two-fold: on one side there were not enough clues that would lead to a suspect, and on the other she was a hooker, which placed her very low on the scale of “worthy” subjects – this must be at the roots of Bosch’s personal philosophy concerning victims, that everybody counts, or nobody counts. His dogged determination to get to the roots of every case he’s assigned to must come from the realization that justice is not dealt impartially or fairly, and that a victim’s standing determines the level of energy poured into any given case.  What’s interesting here is that Bosch does not feel “tainted” by the knowledge of his mother’s profession, that even in his adult years he holds on to the awareness of her love for him; there is a sentence that sums up his feelings quite clearly and shows the depth of his sense of loss – and ultimately the vulnerability he tries to conceal from the world:

“I don’t blame her for anything. I blame the man who took her from me. […] All I know is that she did all she could to get me out of there.[…] She never stopped trying. She just ran out of time.”

As the investigation proceeds – revealing some unexpected ties into the Los Angeles political scene – so does Bosch’s journey of self-discovery thanks to Dr. Hinojos’ treatment: I really enjoyed the psychiatrist’s character because this is the first woman in the series who does not bend or break under the detective’s rough manners, but instead faces him head on and even forces him to look inside himself and dig for the truth. I hope this is the first in a hopefully long list of female characters who can be strong without being either a proverbial dark lady or a heartless operator, the indication that – narratively speaking – times are changing and moving toward a less biased point of view.

Story-wise, The Last Coyote offers a compelling look into Bosch’s investigation as the old clues are lined up and explored, leading toward interesting directions – and a few red herrings that made the final revelation even more remarkable. I enjoyed many of the twists scattered through the book, particularly the one where Bosch quite childishly uses his boss’ identity to mask his inquiries and get broader access, only to have this prank backfire in a spectacularly dramatic way.

This book has all the flavor of a turning point in the series: the past is finally dealt with, the damaged house, Bosch’s lair and refuge if you want, is torn down – there are many indications that the next volume will see some changes both in the main character and in the way he faces his job. Curiosity will certainly lead me to the next volume in the series in a very short while…

My Rating:

24 thoughts on “THE LAST COYOTE (Harry Bosch #4), by Michael Connelly

  1. This sounds excellent! I love stories where protagonists must face their inner demons and self reflect, and it sounds like Harry really might benefit from that😁

    Liked by 1 person

    1. Each 10-episode season takes bits from various books (or so I’ve learned from online comments by people who read the whole series) and adapts them into a very coherent narrative arc that develops throughout the season: I’ve found a few of those elements in the 4 books I read so far, and I look forward to seeing how the next novels have been included in the televised show.


  2. I’ve not encountered this series before, either as books or a TV series – but I love the premise… And what a cool way to start 2021 with such a satisfying read… Happy New Year, Maddalena!

    Liked by 1 person

            1. I have developed a form of news-allergy as well: usually I look at the rolling ticker on the bottom of the screen in the morning edition of the news and then keep updated online, so I can pick and choose, trying to avoid depressing items… (((SIGH)))

              Liked by 1 person

  3. This sounds excellent. It’s a series that I would really like to start and I like that not only is this so highly rated by you but also that it seems to be a pivotal moment of the series going back and exploring the MCs past.
    Lynn 😀

    Liked by 1 person

  4. Wow! I’m not familiar with either the show or the book series, but you’ve certainly made a great case for giving them a try. I enjoy when a series seems to mature as we read it, with characters growing and changing. Great stuff!

    Liked by 1 person

    1. This book series requires a little… mental adjustment (for want of a better word) because it starts in the ’90s and to me it felt so strange, for example, to read about the characters having pagers and needing to look for a phone booth for calls. But apart from that, both characterization and police procedure are very intriguing 🙂


  5. Based on what I remember of the Bosch books I read as a teenager, I know that it is when the story explores both the character’s past and ongoing crimes that the story is at its best! Glad to see how well this series is for you so far! Great review, Maddalena! 😀

    Liked by 1 person

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