Reviews

LATER, by Stephen King

My years-long negative streak with Stephen King’s books seems to be definitely over: the last few books of his I read all turned out to be as engaging as the stories I used to enjoy, and Later is only the last example in my lineup of positive reads.

Even though it’s a shorter story when compared with King’s usual production, Later sports all the elements that I’ve come to expect from the Master of Horror: this novel might not be classified as his usual horror creation, since there are not many blood-chilling elements in it, and there is also a mystery/crime component added that changes a little the expected parameters, but in the end this proved to be an entertaining, page-turning read, and one I enjoyed very much.

Jamie Conklin sees dead people: not exactly ghosts as was the case for the young protagonist of Shyamalan’s movie alluded to here with a sort of tongue-in-cheek humor, but rather people newly departed and on their way to the Great Beyond. Jamie is able to see and hear them (although after a while their voice fades, as do they before disappearing forever) and to ask them questions to which the dead are compelled to reply truthfully.  Jamie’s single mother runs a literary agency and she’s able to stay afloat – barely – thanks to the best selling author of a successful series: when the man suddenly dies just as he was outlining his last novel, the one where all the mysteries hinted at in previous books would be revealed, Tia Conklin needs Jamie to contact the deceased author to get all the information he can gather on the story, so she can ghost-write it and keep the company in business and financial health.

The trouble starts when Liz Dutton, Tia’s former girlfriend and a cop with too many problems and not enough scruples, decides to use Jamie’s talent to discover where a serial bomber, who just took his own life, did hide his latest explosive package: something ancient and evil rides on the shoulders of the man and starts haunting Jamie, forcing him to resort to a harrowing ritual to get rid of the creature. That is, until the boy needs the thing’s help against Liz when the dishonorably discharged ex-cop kidnaps Jamie for one last, heinous act…

Very few authors can successfully filter the problems and inconsistencies of the world through the eyes of a child as Stephen King does: unlike other protagonists of his stories, Jamie is not shunned, bullied or otherwise made to suffer by peers or adults, but he does witness his mother’s struggles to survive in an unsettled economy and through a difficult relationship, all the while dealing with a “gift” that sets him apart from other kids, forcing him to keep secrets, and ultimately places him in danger. Jamie’s voice, as he grows up over the years from childhood to young adulthood, feels true and natural and for this reason it’s easy to connect to him and see the world through his eyes: innate resilience helps him navigate through the difficulties posed by his peculiar talent, particularly in the instances where his innocence is threatened. This is another theme dear to King, the way in which the adult world (or the supernatural) can rob children of that innocence, exposing them too early to situations that require them to grow before their time: in Jamie’s case this is compounded by Liz’s relentless focus first and greed later, so that he’s forced to come into contact with the darker aspects of the human mind, which more often than not are far more  frightening than actual supernatural horror. 

Young Jamie is able to find some balance in this very unusual existence thanks to the certainty of his mother’s love – even though he’s quite aware of her flaws both as a parent and an adult – and the guidance of old Professor Burkett, the closest thing to a father figure he can depend on: the relationship between Burkett and Jamie, both in life and after the old man’s death, reminded me somehow of the dynamic explored in Mr. Harrigan’s Phone, one of the short stories from King’s If It Bleeds collection.  The somewhat cranky professor, like many of Stephen King’s memorable figures, is the one providing Jamie with a stable anchor and a perspective that helps the boy focus on the problems at hand rather than his fear, and offers a delightful dynamic between wide-eyed youth and grumpy old age that is one of the author’s trademarks.

There might be nothing new, narratively speaking, in this novel, but it does not matter much in the face of the story’s easy flow, which is carried by the constant curiosity engendered by Jamie hinting at other developments to be disclosed, indeed, later: the young protagonist keeps his audience captivated like serialized novels did in the latter part of the 19th Century, by promising further revelations yet to come.  This choice led me to wonder weather Jamie might be considered an unreliable narrator – either embellishing or changing events to suit them to the overall flavor of his story: that’s a doubt that surfaced for me once a detail of Jamie’s origin is revealed, because he himself first offers an explanation for the chain of events, only to deny its accuracy in the next page.

This detail (I will not spoil it, but if you’ve read the book you know what I am referring to) does not affect the story in any way – and I’ve kept wondering what it should mean in the overall scheme of it – but rather offers an off-key note to the ending which, in my opinion, would have stood quite well on its own without this added… baggage.  Still, Later feels like vintage King, indeed, and I would recommend it to his longtime fans – and not only them.

My Rating:

29 thoughts on “LATER, by Stephen King

  1. This has reminded me that I started reading King’s back catalogue last year and haven’t returned to it, despite mostly enjoying what I’ve read so far. Probably cos The Stand left me feeling like I wasted a thousand pages of my reading life haha. I’m trying to do them in order so Rage will be next on my list (despite being under his Bachman pseudonym I’m including it in my reading list) and that’s quite short, so hopefully will be a nice easy return to King’s books.

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    1. Reading The Stand in this day and age takes a good measure of courage, so I congratulate you on the Herculean effort 😉 Still, I consider it one of King’s best, mostly because I read it way back when global pandemics were only a thing for fiction….

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  2. King is such an odd author. I loved/hated his stuff and had to eventually stop. And he just keeps on going. I’m waiting for the day it’s announced that he’s dead AND that announcement that he has one final book to go on sale 😀

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      1. I’ve looked at Joe’s works. he’s no King no matter how much some people may enjoy his books.
        I do applaud him for not trying to ride on his father’s coattails by taking his name though. That takes some internal fortitude…

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          1. In all honesty, my only exposure to Hill was the movie Horns. But that left enough of a bad taste so I wasn’t willing to even try him.

            Sorry for taking this down a tangent road 😀

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  3. I’ve read some of his less horrific work and thoroughly enjoyed them. Right now isn’t the time – but thank you for a lovely review of a book that when times are kinder, I think I’d really appreciate:).

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  4. I was indeed going to mention how your streak of bad Kings seemed to have ended for a while now too! I’m glad that his new releases work so well for you. Every time you review them, you make me want to drop everything I’m reading to pick up a King story! Awesome review, Maddalena! 😀

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    1. Thank you! Indeed I have mended my proverbial fences with King, and now I will have to backtrack and see what other “goodies” I missed these past few years: Mr. Mercedes was one of them, and I intend to read the other two book in that series. Soon, I hope… 😉

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  5. Great to see you enjoyed this one. Like you I used to really enjoy his work but then seemed to lose interest. Not sure if that was due to his writing or me. But now I’m slowly getting back into it. I enjoyed the If It Bleeds collection and hope to read more of his recent stuff, as well as perhaps going back to some of his older works I never got around to. Thanks for helping reperk my interest.

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    1. We seem to have suffered a similar kind of disenchantment with King’s works (I remember that the first book I could not finish was Insomnia), but in more recent times he seems to have found his old drive once again – at least from my point of view – which makes me quite happy to reconnect again with the Master of Horror 🙂

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