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Review: TOWER OF THORNS, by Juliet Marillier (Blackthorn & Grim #2)

22567177Tackling the second book in a series can be a tricky business when the first one happened to be an amazing read: I’m often afraid that the “magic” will not be there with the same strength as it was in that first, remarkable read, so that I tend to postpone my approach to the next volume. Well, I should not have done that with Juliet Marillier’s Blackthorn and Grim, because this second book is even better than the first – and consider that Dreamer’s Pool was already an incredible find.

Tower of Thorns starts some time after the events of Dreamer’s Pool, showing how wise woman Blackthorn and her companion Grim seem to be quite settled in their life at Winterfalls: despite Blackthorn’s prickly character and Grim’s broody silence, the two have integrated well into their life in Prince Oran’s household, finding a modicum of peace, although the ghosts of their respective pasts still haunt them.  This quite fragile equilibrium is unbalanced by the move of the Prince’s retinue to the king’s palace, due to a temporary absence of the sovereign: leaving what the two have come to think of as their safe place is not easy, but the advanced pregnancy of Lady Flidais, the Prince’s wife, compels Blackthorn to insure her presence – and it’s clear that, despite her grumblings, the healer has developed a strong attachment to the community she lives in, while Grim has gone even beyond that.

Neither of them has much time to adapt to their new surroundings when two things happen that upset once more the status quo: Lady Geileis, the ruler of a nearby land, comes asking for help against a creature that has taken residence in an abandoned tower, its day-long wails upsetting both the people’s  spirits and the health of crops and cattle; and Flannan, an old friend of Blackthorn and a wandering scholar, makes his appearance, stirring up old ghosts and the healer’s never mastered need for vengeance.  Blackthorn’s acceptance of Lady Geileis appeal for help – the monster’s curse might be lifted by a wise woman – is simply the means to leave the court and explore the possibility of following Flannan south and connecting with a net of rebels bent on exposing Mathuin’s wrongdoings and finally bringing him to justice.

This story is told in what I have come to envision as expanding concentric circles, each new one adding some more information to the plot, and this is particularly true with the mystery of Geileis and her wailing monster, imprisoned in a tower protected by an impenetrable barrier of thorns. The flashbacks to what appears to be a classic fairy story offer more and more information about the terrible curse weighing on Geileis’ land, and her own part in it: it’s a fascinating tale, one that provides some much-needed clues to what basically is a very mysterious character, one who appears from the start to have an hidden agenda, and the will to bring her plans to fruition, no matter the cost.  As I learned the details of her past, I was caught between pity and dislike: on one side Geileis is a tragic figure, considering the heavy curse hanging over her domain, with a tower-bound monster howling all day long throughout the summer, its cries dredging the saddest thoughts from the listeners’ minds and sometimes bringing them to extreme acts, even affecting the cattle and the crops.  On the other, there is a core of ruthlessness in her that renders her uncaring of any consequences might be visited on those who choose to help her: the glimpses we see of the younger Geileis made me think that probably she never grew out of her teenage selfishness, so that her plight did not touch me as deeply as it should probably have.

Despite being at the core of the inciting incident for this story, Geileis is far less central to its economy than Blackthorn and Grim, especially the latter who – in my opinion – often takes the center stage here, while part of his past his revealed.   Blackthorn is a woman caught between two powerful forces: the need to see justice done for the wrongs Mathuin visited on her and other helpless victims, and the equally strong need to keep true to her pact with the fae Conmael. The arrival of Flannan makes the latter’s pull less strong, and day by day her need to throw caution to the four winds becomes more compelling, tempered only by the curiosity toward the riddle she wants to solve and – even more important – her loyalty toward Grim.  The relationship between Blackthorn and Grim keeps being the beating heart of this series, and here, where it’s sorely tested, it shines even more brightly: should she decide to follow Flannan south, toward vengeance, she knows she has to deceive Grim in order to keep him from following her toward what Blackthorn believes will be a sure death, and this causes her great anguish because complete honesty lies at the root of their relationship, one forged not on romantic attachment but on the kind of trust that only family can engender.

For his part, Grim perceives the distance that has come between himself and Blackthorn and while he can only guess at its reasons – and is hurt by it – he refuses to forsake the role of protector, confidant and friend that he needs to exercise just as much as Blackthorn knows she needs it herself. To say that my heart went out to him in these circumstances would be a massive understatement, especially when observing other people’s dismissive reaction to his silences and his oh-so-deceptive simple-mindedness, that under its surface hides a keen mind and a deep capacity for selflessness.  Whatever compassion I might have felt toward Grim’s character, however, went several steps further once the massive disclosure about his past came to the fore: it’s a huge, earth-shattering revelation that completely upends any theory I had about his background and shines a very different light on his personality, and his soul.  Tower of Thorns is very much Grim’s story more than anyone else’s, and the pages where we learn about the events that destroyed his past and shaped him into the man he is are among the very best of the novel, the intensity of feelings described with a sort of lucid compassion that is nothing short of breath-taking.

In Tower of Thorns both Blackthorn and Grim appear to have mastered some of the ghosts from their past, or at very least to have come to more comfortable terms with them, and even though it’s clear they still have a long road before them, it’s also clear they know – with the absolute certainty they had not reached until now – they can totally depend on one another, that despite their flaws they can count on each other for support, and strength.

There’s an intensity of feeling in Blackthorn and Grim’s relationship that touched my heart in such a deep way I have not experienced in a long time: to me this is the mark of stellar writing.  With the first book I discovered an amazing author, but with this second I have become a staunch fan.

My Rating:


Waiting for The Expanse…

Season 2 of the SyFy show inspired by the amazing space opera series by James S.A. Corey is about to begin, and as I was looking for some news and trailers (by the way, the few snippets we were afforded about Martian marine Bobbie Draper are more than promising…) I found this quite funny Season 1 recap – or rather, re-cat, since it’s all done with cats in the roles of the main characters.

It’s too delightful not to be shared 🙂

WARNING

If you have not seen Season 1 of The Expanse, or read the first book in the series, Leviathan Wakes, the video will be full of spoilers: watch at your own risk!

 

TEASER TUESDAY

Teaser Tuesday is an intriguing meme started by Ambrosia over at The Purple Booker.

All you have to do is:

• Grab your current read
• Open to a random page
• Share two (2) “teaser” sentences from somewhere on that page
• BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
• Share the title & author, too, so that other Teaser Tuesday participants can add the book to their TBR Lists if they like your teasers!

Teaser Tuesday

I have waited too long to start the second volume of Juliet Marillier’s wonderful Blackthorn and Grim Saga, TOWER OF THORNS, but now that I have I’m loving it even more than Dreamer’s Pool – and that was an amazing discovery indeed.

In this new book, Blackthorn and her brooding companion Grim seem to have settled quite nicely in Darlriada, and both their lives appear more secure, but neither of them has forgotten the horrors of their pasts or the most recent terrible experiences as prisoners of Mathuin.  And Blackthorn still nurses her powerful need for vengeance.

But a new challenge faces them, that of a mysterious creature that haunts a nearby land with its anguished wails, so that the wise woman and her silent friend accept the task of trying to understand what it’s all about…

[…] the four of us set off together: the scholar and the monk, the so-called wise woman and… If this were an old tale, what name would I give Grim? The bodyguard? The companion? The protector, the keeper? The friend?  He was all of those and more.

This little quote highlight what is one of the most engaging elements in this series, the relationship between Blackthorn and Grim, something that seems to go even beyond ties of friendship and family, and is the truly fascinating core of the story.

Review: BABYLON’S ASHES, by James S.A. Corey (The Expanse #6)

25877663This is the book I was most looking forward to this year, and I’m very happy to showcase it as my last review for 2016: The Expanse is without doubt one of the best space opera series currently running, its pacing and storyline a constant progression that shows no slumps or uncertainties, so that I feel I’m closing this blogging year with a proverbial bang.

Speaking of which, I was aware that the momentous events of the previous book, Nemesis Games, might have created some expectations of a more… active story, but this is a very different one, a transition story rather than one purely based on action.  The devastation visited on Earth has not only created countless deaths and massive environmental upheavals, but also huge shifts in politics, alliances and perspective: what happened on the home planet is not affecting only its inhabitants, but the whole Solar System.  From the need to relocate the staggering number of refugees, to the loss of irreplaceable materials that only Earth could provide to its outlying colonies, the actions of the Free Navy, far from freeing the Belters from their subordination to the inner planets, had a negative influence on all of humanity and its future.

This must be the main reason that compelled the authors to shift from the tighter focus on the Rocinante’s crew to a wider cast of characters: much as it happened with the second book in the series, Caliban’s War, the overall scope has now become too big to be observed solely through the eyes of Holden & Co., it needs other points of view, different tiles in the mosaic, so to speak. Therefore, events also unfold from the standpoint of well-known figures like Avasarala or Bobbie Draper, combined with those of returning characters like Michio Pa, Clarissa Mao or scientist Prax, and the addition of newer ones like Anderson Dawes, Marco Inaros and young Filip.

This choice felt quite appropriate to me, because instead of subtracting precious “screen time” from the Rocinante Four, it put their actions and choices into a wider perspective, and ultimately enhanced them: when it was only (so to speak…) a matter of chasing the trail of the protomolecule, it was good and right to follow the story from the angle of a handful of characters, but now that the trouble has expanded system-wide and could extend to the newly-founded colonies beyond the alien gate, the story needs to broaden its horizons. What started as the tale of four people thrown together by dramatic occurrences and slowly coalescing into a family, has now become the saga of humanity, its reach into space and the choices that need to be made to keep this larger family alive and thriving – because, to quote from the book, “ash and misery had made a single tribe of them all”.

The core theme of Babylon’s Ashes is indeed this, the need to understand that the differences that have divided humanity – political, religious, racial, whatever – are nothing but distractions on the road toward the stars: if the threat of the protomolecule was not enough to drive this message home, the damage inflicted on Earth could (and should) be the means to overcome those differences. Despite the dramatic events unfolding before our eyes, the still ongoing strife and battles, the political and military posturing, there is a subtle thread of hope woven throughout the narrative, the evidence that humanity holds the potential for building a better family out there, one that can look beyond our divisions, recognizing them for the red herrings they are, and come together in times on need.

These changes are mirrored in the characters as well, both the old ones and the new. Holden is not the idealistic do-gooder he was at the start of the story, nor does he make his decisions on impulse anymore: he has learned how to include some political expediency in his planning – probably due to the influence of Fred Johnson, and certainly having had to live far too often with the consequences of his rashest actions. More than that, what happened in the course of Nemesis Games brought home far more clearly than in the past that everything and everyone he holds dear is far too fragile to be risked without thinking about the short- and long-term effects of his choices: not that he never considered this in the past, but recent events showed him how clear and present is the danger of losing the people that have become his family.   Naomi still labors under the burden of guilt that resurfaced with a part of her past, and of the hard decisions she had to make then and in more recent times: she is not on stage as much as she was in the previous book, but here you can see she is still evolving, and that the process is both painful and enlightening – she is still growing as a person, and acquiring more depth and substance. And Avasarala…. Well, it’s no mystery I greatly enjoy her as a character, and here we see even more facets of her formidable personality, her powerful determination even in the face of harrowing personal loss: strangely enough, the brief moments in which her granite façade crumbles are the ones where her strength comes across more clearly, showing that nothing can dent Avasarala’s resolve in a permanent way. Or exhaust her bottomless well of profanities…

This novel is not just about the “good guys”, though, and I’d like to spend some time with the story’s main villain, Marco Inaros, self-styled commander of the Free Navy and liberator of the Belters, the man responsible for the apocalyptic attack on Earth. At first he looked to me as the proverbial mustache-twirling baddie, and I was saddened at the apparent waste of potential he represented, but I should have trusted these authors more, since they never disappointed me in the past – and neither did they now.   After a while I understood that Inaros represents a case in point for what happens with revolutions born out of profound injustice and moving forward on a wave of unthinking violence: in those cases it’s far too easy to lose sight of the original motivations for the rebellion, and lash out blindly with little or no thought about long-range consequences or collateral damage.   Marco Inaros is the kind of man who emerges in such circumstance, one who can give voice to festering hostility held in check for too long: a man who can make himself known for blatant acts, or “grand gestures” as they are defined at some point, but far too focused on himself rather than the people he pretends to be helping.  He’s not inherently evil, but more simply, and more tragically, in love with his own image, and unable to see – or foresee – his mistakes.

The best picture of the man comes from his son Filip, when he considers that “..he had two fathers now. The one who led the fight against the inners and who Filip loved like plants love light, and the one who twisted out of everything that went wrong and blamed anyone but himself”. And in that consideration there is definitive judgment as well: Inaros is ultimately a figure of tragedy, not in the sense that he should be pitied, but rather one whose blindness and self-absorption are the cause of widespread heartbreak.

Young Filip is also one character who, though still in continuing development, promises to be an intriguing one, should he return in the next installments: all throughout his journey in search of recognition, of the parental love he needs and is denied for a series of reasons as complex as he is, he goes through several stages that are often quite difficult to witness. He was the object of my compassion, because I could feel the pain underlying his brash attitude and the cloak of hate he wore as a coat of armor: there is hope, though, in the identity choice he makes at the end of his last p.o.v. chapter – a choice that might signal an important course change, one I hope to see as the story progresses.

There is much to look forward to for the next three books of The Expanse: there is still a sample of the protomolecule at large, for example, and the former Martian Navy’s ships that passed through the Laconia gate constitute an unforeseeable danger for the future. And who knows what other troubles the authors will decide to visit on this not-so-distant future version of our system.  This series has been steadily growing and branching off in new and compelling directions, and I for one cannot wait to see what the next books will bring.

 

 

My Rating:

TEASER TUESDAY #16

Teaser Tuesday is an intriguing meme started by Ambrosia over at The Purple Booker.

All you have to do is:

• Grab your current read
• Open to a random page
• Share two (2) “teaser” sentences from somewhere on that page
• BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
• Share the title & author, too, so that other Teaser Tuesday participants can add the book to their TBR Lists if they like your teasers!

Teaser Tuesday

This week I’m going to showcase one of the books I was most looking forward to, this year, the sixth volume in the amazing space opera The Expanse, by James S.A. Corey (a.k.a. Daniel Abraham and Ty Franck).

Babylon’s Ashes comes after an amazing fifth book in which so much happened, and so many of the characters I’ve come to care about where in serious danger, and the apparently subdued tone of this volume might seem anti-climatic, but I’ve come to trust these two authors to deliver, and I was not disappointed.

Here is a brief excerpt from the thoughts of Chrisjen Avarasala, one of my favorite characters: her musings offer the possibility of giving the reader a condensed recap of all that happened before, but in such a genially offhand way…

Her mind danced across the solar system. Medina Station. Rhea, declaring against the Free Navy. The food and supplies of Ganymede. The starvation and death on Earth. […] The colony ships being preyed upon by the Free Navy pirates, and the stations and asteroids gaining the benefit of piracy. And the missing ships. And the stolen protomolecule sample.

If you have not started this series yet, I urge you to do it, as soon as you can: you owe it to yourselves, seriously 🙂

SciFi Month 2016: Babylon 5 Quotes Season #5

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Science Fiction on the small screen offers a wide variety of interesting shows, but still it seems to lack the depth and complexity we can find in books – and it stands to reason, since the TV format must adhere to rules that don’t apply to the written word. Yet there is a show that transcends these rules because it was conceived as a five-part novel in the mind of its creator, and like a novel it doesn’t only deliver action and adventure, but also great characterization with visible growth, and a gripping narrative arc.

The show I’m talking about is Babylon 5: despite its “age” (it ran from 1994 to 1998) it still feels fresh and actual because it’s not about impressive CGI or technological marvels, but it deals instead with people, with their reactions to extraordinary circumstances, with the choices that those circumstances force on them and the consequences of their actions.  I’ve often thought that it could work just as well as a theatrical production, because its strength is in the story, the thought-provoking issues it deals with and the intense dialogues spoken by the characters.

Here are some of my favorite quotes – divided by season: I hope that they will rekindle fond memories in those who watched and loved this show, and inspire the curiosity of those who have missed this complex, thoughtful and very passionate story until now.

babylon_5_season_5

The universe speaks in many languages, but only one voice. The language is not Narn or Human or Centauri or Gaim or Minbari. It speaks in the language of hope. It speaks in the language of trust. It speaks in the language of strength and the language of compassion. It is the language of the heart and the language of the soul. But always it is the same voice. It is the voice of our ancestors speaking through us and the voice of our inheritors waiting to be born. The small, still voice that says: ‘We are one. No matter the blood, no matter the skin, no matter the world, no matter the star. We are one. No matter the pain, no matter the darkness, no matter the loss, no matter the fear. We are one.’ Here, gathered together in common cause, we begin to realize this singular truth and this singular rule that we must be kind to one another. Because each voice enriches us and ennobles us and each voice lost diminishes us. We are the voice of the universe, the soul of creation, the fire that will light our way to a better future. We are one.

(G’Kar / Declaration of Principles – The Paragon of Animals)

I spent my years in one shelter after another. But sooner or later, I was able to leave the shelter and walk out into the daylight. You do not have that luxury. You carry your shelter with you, every day. You didn’t grow up. You grew old.

(G’Kar – A View from the Gallery)

In the past we had little to do with other races. Evolution teaches us that we must fight that which is different in order secure land, food, and mates for ourselves, but we must reach a point when the nobility of intellect asserts itself and says: No. We need not be afraid of those who are different, we can embrace that difference and learn from it.

(G’Kar – The Ragged Edge)

We are all the sum of our tears. Too little and the ground is not fertile, and nothing can grow there. Too much, the best of us is washed away.

(G’Kar – Objects in Motion)

I believe that when we leave a place, part of it goes with us and part of us remains. Go anywhere in the station, when it is quiet, and just listen. After a while, you will hear the echoes of all our conversations, every thought and word we’ve exchanged. Long after we are gone, our voices will linger in these walls for as long as this place remains. But I will admit that the part of me that is going will very much miss the part of you that is staying.

(G’Kar – Objects in Motion)

SciFi Month 2016: Babylon 5 Quotes Season #4

sfm16_6

Science Fiction on the small screen offers a wide variety of interesting shows, but still it seems to lack the depth and complexity we can find in books – and it stands to reason, since the TV format must adhere to rules that don’t apply to the written word. Yet there is a show that transcends these rules because it was conceived as a five-part novel in the mind of its creator, and like a novel it doesn’t only deliver action and adventure, but also great characterization with visible growth, and a gripping narrative arc.

The show I’m talking about is Babylon 5: despite its “age” (it ran from 1994 to 1998) it still feels fresh and actual because it’s not about impressive CGI or technological marvels, but it deals instead with people, with their reactions to extraordinary circumstances, with the choices that those circumstances force on them and the consequences of their actions.  I’ve often thought that it could work just as well as a theatrical production, because its strength is in the story, the thought-provoking issues it deals with and the intense dialogues spoken by the characters.

Here are some of my favorite quotes – divided by season: I hope that they will rekindle fond memories in those who watched and loved this show, and inspire the curiosity of those who have missed this complex, thoughtful and very passionate story until now.

babylon_5_season_4

Have you ever heard of the hour of the wolf? My father told me about it. It’s the time between three and four in the morning. You can’t sleep, and all you can see is the troubles and the problems and the ways that your life should’ve gone but didn’t. All you can hear is the sound of your own heart.  […]  In times like this, my father used to take one large glass of vodka before bed. To keep the wolf away, he said. And then he would take three very small drinks of vodka, just in case she had cubs while she was waiting outside.

(Ivanova – The Hour of the Wolf)

Fighting a war is easy. Destroying is easy. Building a new world out of what’s left of the old, that is what’s hard.

(Delenn – Lines of Communication)

The truth is fluid. The truth is subjective. Out there it doesn’t matter what time it is. In here it is lunch time, if you and I decide that it is. The truth is sometimes what you believe it to be, and other times what you decide it to be.

(The Interrogator – Intersections in Real Time)

Who am I? I’m Susan Ivanova, Commander, daughter of Andrei and Sofie Ivanov. I am the right hand of vengeance, and the boot that is gonna kick your sorry ass all the way back to Earth, sweetheart. I’m death incarnate and the last living thing that you’re ever going to see. God sent me.

(Ivanova – Between the Darkness and the Light)

SciFi Month 2016: Babylon 5 Quotes Season #3

sfm16_6

Science Fiction on the small screen offers a wide variety of interesting shows, but still it seems to lack the depth and complexity we can find in books – and it stands to reason, since the TV format must adhere to rules that don’t apply to the written word. Yet there is a show that transcends these rules because it was conceived as a five-part novel in the mind of its creator, and like a novel it doesn’t only deliver action and adventure, but also great characterization with visible growth, and a gripping narrative arc.

The show I’m talking about is Babylon 5: despite its “age” (it ran from 1994 to 1998) it still feels fresh and actual because it’s not about impressive CGI or technological marvels, but it deals instead with people, with their reactions to extraordinary circumstances, with the choices that those circumstances force on them and the consequences of their actions.  I’ve often thought that it could work just as well as a theatrical production, because its strength is in the story, the thought-provoking issues it deals with and the intense dialogues spoken by the characters.

Here are some of my favorite quotes – divided by season: I hope that they will rekindle fond memories in those who watched and loved this show, and inspire the curiosity of those who have missed this complex, thoughtful and very passionate story until now.

babylon_5_season_3

I’ve taken the opportunity provided by my incarceration to meditate, to think. […] In here, Mr Garibaldi, you can not hide from yourself. Everything out there has only one purpose, to distract us from ourselves, from what is truly important. There are no distractions in here. We can learn much from silence.

(G’Kar – Messages from Earth)

“I believe that I have been touched. That I am meant for something greater. A greater darkness or a greater good, I can no longer say. All I have ever wanted is to serve our people. I need to see what is before me. If I should escape it, or embrace it. If there is any longer a choice.”

“There is always choice. We say there is no choice only to comfort ourselves with the decision we have already made. If you understand that, there’s hope. If not ..”

(Londo and Lady Morella – Point of No Return)

Three years. For three years I warned you this day was coming. But you would not listen. Pride, you said, presumption. And now the Shadows are on the move. The Centauri and the younger worlds are at war, the Narns have fallen. Even the Humans are fighting one another. The pride was yours, the presumption was yours. For a thousand years we have been awaiting for fulfillment of prophecy, and when it finally happens, you scorn it, you reject it. Because you no longer believe it yourselves. ‘We stand between the candle and the star, between the darkness and the light.‘ You say the words, but your hearts are empty, your ears closed to the truth. You stand for nothing but your own petty interests. ‘The problems of others are not our concern.‘ I do not blame you for standing silent in your shame. You, who knew what was coming, but refused to take up the burden of this war. If the warrior caste will not fight, then the rest of us will.

(Delenn – Severed Dreams)

Every day, here and at home, we are warned about the enemy. But who is the enemy? Is it the alien? Well, we are all alien to one another. Is it the one who believes differently than we do? No, not at all, my friends. The enemy is fear. The enemy is ignorance. The enemy is the one who tells you that you must hate that which is different. Because, in the end, that hate will turn on you. And that same hate will destroy you.

(Reverend Dexter – And the Rock Cried Out, No Hiding Place)

All around us, it was as if the universe were holding its breath, waiting. All of life can be broken down into moments of transition or moments… of revelation. This had the feeling of both. G’Quan wrote: ‘There is a greater darkness than the one we fight. It is the darkness of the soul that has lost its way. The war we fight is not against powers and principalities, it is against chaos and despair. Greater than the death of flesh is the death of hope, the death of dreams. Against this peril we can never surrender. The future is all around us, waiting in moments of transition, to be born in moments of revelation. No one knows the shape of that future, or where it will take us. We know only that it is always born in pain’.

(G’Kar – Z’ha’dum)

SciFi Month 2016: Babylon 5 Quotes Season #2

sfm16_6

Science Fiction on the small screen offers a wide variety of interesting shows, but still it seems to lack the depth and complexity we can find in books – and it stands to reason, since the TV format must adhere to rules that don’t apply to the written word. Yet there is a show that transcends these rules because it was conceived as a five-part novel in the mind of its creator, and like a novel it doesn’t only deliver action and adventure, but also great characterization with visible growth, and a gripping narrative arc.

The show I’m talking about is Babylon 5: despite its “age” (it ran from 1994 to 1998) it still feels fresh and actual because it’s not about impressive CGI or technological marvels, but it deals instead with people, with their reactions to extraordinary circumstances, with the choices that those circumstances force on them and the consequences of their actions.  I’ve often thought that it could work just as well as a theatrical production, because its strength is in the story, the thought-provoking issues it deals with and the intense dialogues spoken by the characters.

Here are some of my favorite quotes – divided by season: I hope that they will rekindle fond memories in those who watched and loved this show, and inspire the curiosity of those who have missed this complex, thoughtful and very passionate story until now.

babylon_5_season_2

We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. […] The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them.

(Elric – The Geometry of Shadows)

It has occurred to me recently that I have never chosen anything. I was born into a role that was prepared for me. I did everything I was asked to do because it never occurred to me to choose otherwise. And now, at the end of my life, I wonder what might have been.  […]  So much has been lost, so much forgotten. So much pain, so much blood. And for what, I wonder? The past tempts us, the present confuses us, and the future frightens us. And our lives slip away, moment by moment, lost in that vast terrible in-between. But there is still time to seize that one last, fragile moment. To choose something better, to make a difference, as you say.

(Emperor Turhan – The Coming of Shadows)

No one else would ever build a place like this. Humans share one unique quality, they build communities. If the Narns or the Centauri or any other race built a station like this, it would be used only by their own people. But everywhere Humans go, they create communities out of diverse and sometimes hostile populations. It is a great gift and a terrible responsibility. One that can not be abandoned.

(Delenn – And Now For a Word)

No dictator, no invader can hold an imprisoned population by force of arms forever. There is no greater power in the universe than the need for freedom. Against that power, governments and tyrants and armies cannot stand. The Centauri learned this lesson once. We will teach it to them again. Though it take a thousand years, we will be free.

(G’Kar – The Long, Twilight Struggle)

SciFi Month 2016: Babylon 5 Quotes Season #1

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Science Fiction on the small screen offers a wide variety of interesting shows, but still it seems to lack the depth and complexity we can find in books – and it stands to reason, since the TV format must adhere to rules that don’t apply to the written word. Yet there is a show that transcends these rules because it was conceived as a five-part novel in the mind of its creator, and like a novel it doesn’t only deliver action and adventure, but also great characterization with visible growth, and a gripping narrative arc.

The show I’m talking about is Babylon 5: despite its “age” (it ran from 1994 to 1998) it still feels fresh and actual because it’s not about impressive CGI or technological marvels, but it deals instead with people, with their reactions to extraordinary circumstances, with the choices that those circumstances force on them and the consequences of their actions.  I’ve often thought that it could work just as well as a theatrical production, because its strength is in the story, the thought-provoking issues it deals with and the intense dialogues spoken by the characters.

Here are some of my favorite quotes – divided by season: I hope that they will rekindle fond memories in those who watched and loved this show, and inspire the curiosity of those who have missed this complex, thoughtful and very passionate story until now.

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We Centauri live our lives for appearances, position, status, title. These are the things by which we define ourselves. But when I look beneath the mask I am forced to wear, I see only emptiness.

(Londo – Born to the Purple)

Everyone lies Michael. The innocent lie because they don’t want to be blamed for something they did not do. The guilty lie because they don’t have any other choice.

(Sinclair – And the Sky Full of Stars)

I want my people to reclaim there rightful place in the galaxy. I want to see the Centauri stretch forth their hand again and command the stars. I want a rebirth of glory, a renaissance of power. I want to stop running through my life, like a man late for an appointment, afraid to look back or to look forward. I want us to be what we used to be. I want … I want it all back, the way that it was.

(Londo – Signs and Portents)

There are things in the universe billions of years older than either of our races. They’re vast, timeless, and if they’re aware of us at all, it is as little more than ants, and we have as much chance of communicating with them as an ant has with us. We know, we’ve tried, and we’ve learned that we can either stay out from underfoot or be stepped on. […] And I am both terrified and reassured to know that there are still wonders in the universe, that we have not yet explained everything.

(G’Kar – Mind War)

There comes a time when you look into the mirror, and you realize that what you see is all that you will ever be. Then you accept it, or you kill yourself. Or you stop looking into mirrors.

(Londo – Chrysalis)