I received this novel from Orbit Books, in exchange for an honest review.
The theme of the more seasoned cop being teamed with a rookie he can’t initially stand is one of the main staples of detective literature, movies and tv series, but no one had so far tried to translate it into a fantasy background, and First Watch is probably the first example of this mashup, one that works well exactly thanks to its unusual setting.
Rem is a young man of noble origins who was feeling constrained by his pampered life, and therefore decided to seek adventure out in the big, unknown world: he ends up in Yenara, a colorful city rich with possibilities – and dangers. Finding himself almost destitute, and incapable of landing any kind of work, Rem wakes up in the city’s jail after a drunken brawl: a series of bizarre circumstances leads him to his enrollment in the Wardwatch – the local version of a police force – and teamed up with veteran Torval, a grizzled dwarf Warden whose partner was recently murdered in mysterious circumstances.
Yenara is a bustling city filled with many kinds of creatures, as humans of various races, orcs, dwarves and elves coexist more or less peacefully in its streets where crime and honest business rub elbows, and despite his privileged education Rem is poorly equipped to hold his own, as testified by his imprisonment. Even though he’s still guilty of a measure of naiveté, he’s also quick on his feet and this helps him gain some points with Torval, whose irritable demeanor hides a good, honest soul, and a person ready to grant his new partner some slack.
The two start their association by investigating the murder of Torval’s former mate, and in so doing they gather some unexpected clues concerning a series of disappearances and killings that might be related: it’s quite amusing to observe how bureaucracy and territorial politics are a constant, no matter the time period or the place. As we are used to seeing in modern police procedurals, there are rules and limitations that hinder an investigation and sometimes force an officer of the law to go against them, ruffling a few feathers, in order to see justice done, and in this First Watch is no exception.
As the two unlikely partners move across the city in search of answers we learn much about Yenara, which appears like a crucible of races and customs that come together in a sort of free zone where everything is possible, everything is allowed (if you hold the right license…), making the inevitable parallel with modern New York – the city that more than any other one is the perfect place for a police story – quite clear. The pace is fast and the story moves along between brawls and fights to the death, with a few sidelines of attempted murder on the two partners, rolling nicely toward the final showdown, one that however promises more adventures for the two unlikely – but by now well adjusted – partners.
If I enjoyed this story, and found myself often smiling at Rem’s and Torval’s antics, still I could not avoid finding a few details that spoiled the overall flavor of the novel. My main point of contention is with the descriptions: the author is quite fond of adjectives, indeed, never employing just one where two – and sometimes three – can be crammed in to sketch any given person or object. So you are not simply told that someone looks despondent, but rather that he sports a sad, mournful, desolate face; or a shady character might look hostile, aggressive and pugnacious, instead of simply truculent (the examples are mine, not directly drawn from the text, but can give a good idea of what I found). Such… richness of detail is not necessarily a bad thing, but when it’s constantly repeated with every instance in which a description is required, it becomes distracting and ultimately slows the narrative flow down.
Something similar happens every time Rem sees someone, or witnesses an event, because in his mind he sort of makes up a back story for the action being shown, with no clues whatsoever about where it all came from: if he sees someone hurrying along with a worried face (again, the example is mine), he thinks it might be a clerk who has forgotten to run an important errand for his master, and is afraid of the consequences. Since none of these flights of fancy are useful to the economy of the story, are not substantiated by the narrative, nor are they of any interest to the readers since they concern the story’s… extras, they are more distractions than background features, and the sheer repetition proves more bothersome than helpful.
And last, the final revelation – while interesting and bolstered by a quite epic battle between the Wardens and their quarry – is offered through lengthy explanations by the bad guy in chief, a method I always found mildly annoying, not unlike the main staple of many B-movies where the Evil Mastermind illustrates his Dastardly Plans to the captive hero before killing him – which never happens because the hero always manages to even the odds. Finding this narrative device here damped a little my enjoyment of the story and somehow ended it on a less than enthusiastic note.
Nevertheless, these are all personal considerations and should be taken as such: on the whole, First Watch is an entertaining read whose best feature is the relationship between two polar opposites, whose differences give origin to an engaging story that will put a smile on your face. And sometimes this is more than enough…