My search for interesting short stories (and a quick sample of authors who are new to me) continues. This week is the turn of:
(click on the title to read the story online at LightSpeed Magazine)
When the first reviews of Yoon Ha Lee’s novel, Ninefox Gambit, started appearing online, I was immediately curious about this intriguing new story and, more importantly, about the author’s writing style. Since I always enjoy sampling a shorter work from a new-to-me writer, I was quite thrilled when I saw this story on the online version of Lightspeed Magazine.
Swansong is the kind of story that requires all of your attention, because it plunges you straight in with the bare minimum of context – and in this particular case even less than that – and forces you to learn as you go. I always enjoy this mode of writing because I like to be challenged, so I waited patiently for events to unfold and for details to come into focus, and in the end I was happily rewarded.
Swan is a young woman from an affluent family in the Concert of Worlds and she has been sent to the Fermata as a punishment for offending a ship’s captain: the sin looks quite trivial, because she merely “addressed him in the wrong language for the occasion”, and yet the girl is sent into exile at the station orbiting near the Fermata, that sounds like a black hole, one where swanships come to die in an endless plunge toward oblivion, ruled by the relativistic forces of an event horizon – or at least this is how I interpreted the situation.
The only way to leave the place is to create a work of art so sublime that the judges, coming to the station every ten years, would lift the sentence. None of the other exiles present on the station – Dragon and Phoenix, Tiger and Tortoise – are artists, so only Swan, trained in music, might be able to compose a symphony worthy of her freedom.
This story seems built more on emotion than fact, images and sounds rather than characterization, and for this reason it had an enormous impact on my imagination: there is a current of quiet despair in the group of exiles manning the station, a despair that is enhanced by the sight of the ships, big and small, that cross toward their endless doom. And yet there is something more at play here, a glimmer of hope, a seed promising something more and better – I don’t dare say more, for fear of spoilers – that changes the reader’s outlook as it changes Swan’s, and it’s something, quite appropriately, quietly beautiful.